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   show on the outside.
   Then I choose a stick of charcoal
   and start sketching a girl
   with dark smudges where her eyes should be.
   I use an oil pastel
   to make a deep red gash
   where her heart should be.
   Next, I draw a ball and chain
   locked to the girl’s ankle.
   And then I add the final touch:
   a shadowy face on the ball—
   mine.
   We Don’t Have Any Other Classes Together
   But between History and English,
   I catch a glimpse of Sophie’s back
   up ahead of me in the corridor,
   weaving through the stampede of students.
   She’s walking by herself.
   Which really gets to me.
   Because before today,
   she always moved in a pack,
   with Rachel and Grace
   and Zak and Danny and Henry.
   Now, she’s alone.
   And all around her, people are smirking
   and whispering and nudging each other.
   I have to fight the urge
   to run and catch up with her
   and shout at all of them to just CUT IT OUT!
   That would only make things worse.
   Because Sophie may feel like an outlaw,
   but thanks to yours truly,
   what she really is
   is an outcast.
   It takes one to know one.
   After School
   I’m blowing on my fingers
   to keep them from freezing,
   waiting for Sophie at the appointed spot—
   by the goalpost
   at the far end of the football field.
   I’m trying not to think about anything.
   Especially not about
   how I’m wrecking Sophie’s life.
   It’s ridiculous how much I’ve missed her.
   We’ve only been apart for two hours,
   but it feels more like two weeks …
   Whoa!
   Here she comes now,
   flying toward me like a perfect fifty-yard pass,
   her brown hair billowing out behind her,
   her eyes reflecting the January sky,
   her long skirt hugging her legs—
   those incredible legs of hers,
   that are carrying her closer and closer to me
   with every step,
   legs that’ll be pressing up against mine
   just a few seconds from now …
   I used to think
   it was only girls
   who got weak in the knees.
   Sophie Hurtles into My Arms
   And suddenly I feel
   like I’ve just scored the winning touchdown.
   She wraps herself around me,
   resting her cheek against my chest.
   And the feel of her against me,
   the smell of her hair,
   thaws every atom
   of my frostbitten body
   and makes my heart reach warp speed so fast
   that I almost keel over.
   There are so many things I want to say to her.
   But all of them are way too lame.
   So I don’t say anything.
   I just kiss her …
   And the cheering crowd
   lifts me up onto its shoulders
   and carries me away.
   When We Finally Come Up for Air
   Sophie’s eyes
   are smiling into mine.
   And it’s amazing, really,
   because all she has to do is look at me
   and my lump of a nose
   straightens out,
   the muscles on my arms
   start to sprout,
   the circles fade
   under my eyes,
   my ears shrink down
   to a normal person’s size …
   If only everyone else
   could see
   what Sophie sees
   when she looks at me.
   She Tells Me Not to Worry
   “Everything will be all right,” she says.
   “They’ll get used to the idea of us being together.
   This’ll all blow over.
   It will.”
   Then she says what she always says—
   “Sometimes I just know things.”
   And I sure hope she’s right about this thing.
   Because if she’s wrong, we’re screwed.
   “Come on,” she says. “You’re gonna walk me home.”
   “But what if we run into someone you know?”
   “What if.”
   And she leans in for one last kiss.
   Then she punches her fist in the air,
   shouting, “Outlaws rule!”
   And when she turns and sprints toward Broadway,
   I chase after her,
   feeling like the luckiest desperado alive.
   Then-THWOMPI
   A snowball explodes
   between my shoulder blades,
   rock hard
   and seething with ice.
   It’s a snowball
   that means business.
   A snowball
   with a message.
   A message that’s coming in
   loud and clear.
   But when we whirl around to see who delivered it—
   nobody’s there.
   Though I could swear
   I hear the wind whispering,
   “What a Murphy …
   Murphy … Murphy …”
   Sophie Rubs My Back
   “You okay?” she asks.
   And that’s when I notice
   that her face has gone whiter
   than the snow,
   that her lips
   are a thin, straight line,
   and her eyes are blinking back tears.
   So I pull myself together
   and do my best stoner impression:
   “Whoa … dude,” I say. “That was cold.”
   And when Sophie laughs at my pun,
   the ache between my shoulders
   disappears.
   Then We Get on a Roll
   And start punning like crazy,
   cracking each other up
   as we make our way toward her house.
   “Man,” she says.
   “Talk about trying
   to freeze someone out.”
   “I’ve heard of giving people
   the cold shoulder,” I say,
   “but this is ridiculous.”
   “Why can’t they just accept the fact
   that they don’t have a snowball’s chance in hell
   of breaking us up?” Sophie says between giggles.
   And when we get to the corner,
   we don’t even hesitate—
   we turn onto Quincy instead of going straight.
   Neither one of us mentions it,
   but both of us know that if we use this route,
   we probably won’t bump into Rachel and Grace.
   So what
   if it’ll take us ten minutes longer
   to get to Sophie’s house this way?
   When We Step Inside Her Front Door
   We hear the theme song
   from Days of Our Lives,
   just sort of hanging there in the air
   like a layer of smog.
   Sophie glances up the steps
   and seems to sag a little,
   like she’s just put on one of those heavy padded vests
   that they make you wear when they x-ray your teeth.
   She calls out, “Hi, Mom. I’m home.”
   And then she adds, “Robin’s with me,”
   in a voice that sounds like what she really means is,
   “So don’t come down here—whatever you do.”
   Mrs. Stein calls down a muffled hello
   as Sophie grabs my hand
   and pulls me into the kitchen,
   kicking the door shut behind u
s.
   I fiddle with the knobs on the radio till I find K-ROK,
   the station that plays all the best golden oldies.
   Then I start singing along with the Righteous Brothers,
   telling Sophie she’s lost that lovin’ feeling.
   “No I haven’t,” she says.
   And she pulls me to her for a kiss—
   one of those incredibly deep soul-type kisses,
   that switches off my brain
   and switches on the whole entire rest of me …
   But a Second Later
   Sophie’s mom shoves open the door!
   She just stands there, blinking at us.
   Like maybe she’s seen a ghost—
   a ghost that’s been kissing her daughter!
   I’ve never been caught
   making out with a girl before,
   so I’m not really sure what I’m supposed to do.
   Apologize?
   Act like it didn’t happen?
   Run like the wind?
   I don’t know who’s
   turning redder,
   me or Mrs. Stein.
   She keeps opening her mouth and closing it again,
   like she really wants to say something,
   only she doesn’t know exactly what.
   Finally,
   she clears her throat.
   Then she clears it again.
   Then
   she clears it a third time
   and says,
   “Hi.”
   That’s All She Says
   Just “Hi.”
   And suddenly
   I get this overwhelming urge
   to bust out laughing.
   But I swallow hard
   and pull myself together.
   “Hi, Mrs. Stein,” I say. “How are you?”
   “Fine,” she says. “And you?”
   “Oh, I’m fine, thank you,” I say,
   trying to sound kind of decent and upstanding
   and like she didn’t just catch me
   in a lip-lock with her daughter.
   Sophie,
   on the other hand,
   doesn’t say anything to her mom.
   But if looks could kill…
   A Partial List of Mrs. Stein’s Excuses for Coming into the Kitchen Every Five Minutes After That to Spy on Us
   - she needs to put the roast in the oven
   - she needs some bottled water from the fridge
   - she needs to add Post-its to the shopping list
   - she needs to recycle the junk mail
   - she needs to check on that roast
   - she needs to search for some toothpicks
   - she needs a sheet of paper and a pen
   - she needs an envelope and a stamp
   - she needs to check on that roast again
   - she needs to get the laundry out of the dryer
   - she needs the iron and the ironing board
   - she needs to make sure that we aren’t having sex
   - she needs to check on that roast again
   But In Between All of Her Mom’s Interruptions
   Sophie and I
   still manage to engage in
   some pretty serious footsies
   while we do our homework.
   Then we start playing that game where one person
   draws a random squiggle on a sheet of paper
   and the other person
   has to turn that squiggle into something.
   Which is when K-ROK starts blasting out
   Ray Davies singing “You Really Got Me.”
   That’s when I notice that Sophie’s squiggle
   sort of looks like Ray Davies.
   So I tell her I’m gonna turn it into a portrait of him.
   “Who’s Ray Davies?” she asks.
   And while I draw him,
   I tell her all about him—
   about how he was
   the lead singer of the Kinks,
   this amazing British rock group
   from the sixties.
   I tell her
   the name of every song Davies ever wrote,
   who performed it,
   and what instruments they played.
   And when I finish, Sophie just stares at me
   in this real I-don’t-believe-this kind of way,
   and says, “But I bet you can’t tell me
   where they bought those instruments.”
   “Well, actually,” I say,
   “I think they got them from this store called—”
   But Sophie puts her finger to my lips.
   “Robin,” she says, flashing me a heart-stopping grin.
   “I was kidding.”
   Then She Asks Me
   How come I know so much
   about prehistoric rock and roll.
   And I explain that it’s because my parents
   turned me on to it when I was like zero years old.
   I mean, my dad used to play
   his Beach Boys records for me
   when I was still swimming around in the womb,
   for chrissake.
   And after I was born,
   instead of singing me “Rock-a-Bye Baby,”
   my mom used to sing “Baby, I Love You,”
   this awesome old song by the Ronettes.
   My parents didn’t read to me
   from Mother Goose.
   They turned me on
   to the Mothers of Invention.
   I grew up knowing more
   about Dr. John the Night Tripper,
   than I did about Dr. Seuss.
   “I didn’t bother collecting bugs …” I tell her.
   “… I had the Beatles!”
   “And Ray Davies,” Sophie Says
   Then she grabs my pencil
   and starts drawing a picture
   of this happy little guy jumping for joy.
   “Who’s that?” I ask.
   “It’s Hooray Davies,” Sophie says.
   Which cracks me up.
   So then I draw this dude
   spinning around inside a blender.
   “Say hello to Pureed Davies,” I say.
   Which cracks her up.
   And we spend the rest of the afternoon like this—drawing funny pictures for each other.
   We draw Toupee Davies,
   Valet Davies, Partay Davies,
   Betrayed, Dismayed, and Tooth-Decayed Davies.
   And when we finish, Sophie says,
   “That was the most fun I’ve ever had drawing
   in my entire life.”
   I love having an artist for a girlfriend.
   It’s Time to Go
   But it’s hard to say good-bye to Sophie.
   And downright impossible to kiss her good-bye,
   what with her mother lurking, silent but deadly,
   just a few feet away from us in the hallway,
   giving me the evil eye …
   You know, on second glance,
   Sophie’s mom doesn’t look that unfriendly.
   In fact, I could have sworn
   she just cracked a smile at me.
   It couldn’t be because she likes me, though.
   It’s probably because I’m finally leaving—
   and with her daughter’s virginity
   still intact!
   But I wouldn’t be
   so sure of that if I were her.
   There was that one six-and-a-half-minute stretch
   when she forgot to check on us …
   (I’m just playin’ wit’ ya.)
   On the Walk Home
   I’m watching the sun
   paint the snowdrifts pink,
   my grin so wide
   it practically won’t fit on my face,
   still floating
   from my afternoon with Sophie,
   feeling like someone who’s fun to be with,
   like someone who’s cool,
   someone who’s funny,
   someone who’s got a girlfriend,
   someone who’s worthy
   of ha
ving a girlfriend, even …
   just floating along
   feeling like
   someone.
   As I Pass by the Playground
   Of my old elementary school,
   I happen to notice
   a couple of little kids
   zipping around on the ice rink.
   I watch as the girl skates up behind the boy,
   yanks off his hat and whizzes away with it,
   making him lose his balance
   and crash down hard on his butt.
   The boy doesn’t even try to get up.
   He just sits there and starts crying.
   The girl looks guilty at first.
   Then she slams her mittens onto her hips.
   “Geez,” she says
   as she skates back over to him
   and starts pulling him up by his sleeve.
   “Don’t be such a Murphy”
   And when I hear her say this,
   I feel like I’ve been kicked,
   real hard,
   in the stomach.
   “Don’t Be Such a Murphy”
   It was Fletcher Boole who coined that phrase.
   Not long after I moved here
   in the middle of fourth grade.
   I was such a clueless little goofball back then
   that it took me forever to figure out
   that he was using “Murphy” as an insult.
   But when I finally did,
   I started lying awake at night,
   inventing new last names for myself:
   Robin Greightguy.
   Robin Nycekidd.
   Robin Neetboi.
   So that if Fletcher or anyone else
   ever tried to use my name
   to diss someone again,
   they’d end up having to say something like,
   “Whoa, man …
   you are such a Kewldood!”
   Kept myself entertained for hours that way.
   But I’m Not Feeling Particularly Entertained at the Moment
   I’m trudging toward my house
   with my fists jammed deep into my pockets,
   trying to make sense out of what just happened.
   I mean, I knew the Murphy-as-insult thing
   had followed me to middle school.
   And then, this fall, to high school.
   But, until now,
   I hadn’t even considered the possibility
   that I’d become a legend
   in my own time.
   That even after I left a place,
   

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